1:1 — Facebook / Instagram
Freeletics — In-Feed Ad
Ad campaign built while at Shuttlerock, using vector graphics for accents and transitions and rotoscoping for the live-action assets.
PORTFOLIO — REC
The dev who used to
make movies.
Ten years of motion design and filmmaking, now paired with a Computer Science degree. I've spent a career translating impossible briefs into finished frames under real deadlines — now I'm doing the same thing with code.
Motion & Film
00:03 SELECTED CAMPAIGNS
9:16 — Instagram Story
Neutrogena — Story Ad
Storyboarded and produced in a single live workshop day at Shuttlerock: an hour to storyboard from the brand's raw assets, two more to produce this hero. It was approved on the spot and led to a full campaign.
9:16 — Instagram Story
Deutsche Telekom — Story Ad
Built from a handful of short clips and stills: looped footage to extend duration, rotoscoped a brand-specific color bar out of older assets to reuse it exactly, and added parallax to static photos to fake motion where none existed.
Code
STATUS: IN PROGRESSFresh from studying Computer Science. Projects landing here soon — this space is reserved for the work that proves the same instincts that built the campaigns above now build software: clear structure under a deadline, and craft in the details nobody asks you to get right.
// project 01
Coming soon
// project 02
Coming soon
About
BIO — DRAFT, EDIT MEI spent the last decade as a motion designer and filmmaker, shipping ad campaigns for brands like Freeletics, Neutrogena and Deutsche Telekom — often under tight timelines and with limited raw material, which taught me to solve problems fast and make deliberate creative choices under constraint. Recently I went back to school to study Computer Science, because the instincts I built in motion design — structure, pacing, attention to what the audience actually experiences — turned out to translate directly into how I think about software. I'm now looking for a tech role where that combination is an asset, not a footnote.